Alina Szapocznikow, Roman Cieślewicz, Jerzy Chudzik, Bolesław Malmurowicz, fotografia makiety projektu Pomnika w Oświęcimiu, 1958, fot. © Piotr Stanisławski, dzięki uprzejmości Muzeum Sztuki Nowoczesnej w Warszawie

Title
Competition for the International Auschwitz-Birkenau Monument

Author

Julia Kozakiewicz

Source

MIEJSCE 3/2017

URL

https://miejsce.asp.waw.pl/en/konkurs-na-miedzynarodowy-pomnik-ofiar-obozu-w-birkenau-2/

Abstract

(English) The main aim of this study is to acknowledge the great historical and artistic importance of the Competition for the International Auschwitz-Birkenau Monument that took place 1957. Focusing on the analysis of the distinguished designs, the article examines the issue of Holocaust representation and different artistic ways of its commemoration.

The main aim of this study is to acknowledge the great historical and artistic importance of the Competition for the International Auschwitz-Birkenau Monument that took place in 1957. Focusing on the analysis of the selected projects, the article examines the issue of the representation of Holocaust in art and different artistic ways of its commemoration.

Julia Kozakiewicz

Sorry, this entry is only available in Polish.

Absolwentka Instytutu Historii Sztuki Uniwersytetu Warszawskiego i Wydziału Zarządzania Kulturą Wizualną Akademii Sztuk Pięknych w Warszawie, obecnie studentka studiów magisterskich na Goldsmiths University of London. W 2016 roku w związku ze stypendium Muzeum Historii Żydów Polskich POLIN studiowała na Uniwersytecie w Tel Awiwie. Jej głównym zainteresowaniem badawczym są relacje sztuki i Holokaustu.

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2	The Prudential building in Warsaw as an affective heterotopia Reconnaissance	Ewa Toniak	Abstract
3	‘The Glass House’ The architecture and ideological meaning of Ignacy Mościcki’s Hall of Residence in Kraków	Maria Jastrzębska	Abstract
4	Competition for the International Auschwitz-Birkenau Monument	Julia Kozakiewicz	Abstract
5	Madrid 1918 Art and the Polish national interest	Piotr Rypson	Abstract
6	Decorative forms The objects of Julia Keilowa in the photographs by Benedykt Jerzy Dorys	Magdalena Wróblewska	Abstract
7	Conceptual affects Lover’s discourse of A Letter from Milano (1972) by Zofia Kulik	Luiza Nader	Abstract
8	”Zone of the Imagination” (1970) by Ewa Partum and local art infrastructures	Karolina Majewska-Güde	Abstract
9	Space of the city: Chełm 1978	Elżbieta Błotnicka-Mazur	Abstract
10	New wave in Zielona Góra New Art Biennale 1985–1996	Konrad Schiller	Abstract
11	‘A myth more modern’ On the discourse around Polish figurative painting of the 1990s	Filip Pręgowski	Abstract
12	Extraterrestrials, that is us The New Era philosophy as an interpretational lead of Paweł Althamer’s activity, with particular reference to Carl Gustav Jung’s theories	Wiktoria Kozioł	Abstract
13	Two Testimonials and one Document Report of the Commissioners of the Exhibition „The Young Generation of Polish Art in the GDR”	Waldemar Baraniewski Elżbieta Grabska
14	Politicians	Wilhelm Sasnal
15	sztos [∫tos]	Krzysztof Pijarski

Abstract

Julia Kozakiewicz

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