7/2021

Not Yet Written Stories. Women Artists in Central and Eastern Europe

1 Not Yet Written Stories
An Introduction
Marika Kuźmicz   
2 Reflections on the Archive as a Strategy for Re-writing Histories Urška Savič  Abstract PDF  
3 Telling Stories about Feminist Art in Socialist Europe
Or the Archive as a Place of Cross-Generational Remaking
Karolina Majewska-Güde  DOI Abstract PDF  
4 Women Curators
Examining Women’s Roles at the ŠKUC Gallery in the 1980s
Tia Čiček  DOI Abstract PDF  
5 There Is Nothing Like Women’s Art
Work, Positions and Emancipation of Female Artists in Czechoslovakia during the Normalisation Period
Kateřina Štroblová  DOI Abstract PDF  
6 Art Between Manliness and Activism
The Role of Ukrainian. Women Artists During Political Transformations
Kateryna Iakovlenko  DOI Abstract  
7 Ways of Forgetting
The Faded Image of Women Artists in Periodicals of the Latvian SSR
Ieva Melgalve  Adele Bea Cipste  DOI Abstract PDF  
8 The Archive of Sibylle Bergemann
Questions of Memorialisation and Reinterpretation
Anne Pfautsch  DOI Abstract PDF  
9 Triple Exclusion and Fierce Determination. Case Studies of Dragica Čadež & Duba Sambolec
Case Studies of Dragica Čadež & Duba Sambolec
Miha Colner  DOI Abstract PDF  
10 Towards the Reinterpretation of the 1980s in Yugoslavia. Research in Dragana (Jovanović) Žarevac’s Performance Archive
Research in Dragana (Jovanović) Žarevac’s Performance Archive
Slađana Petrović Varagić  DOI Abstract PDF  
11 Between History and the Future
On Sonja Savić’s Videos
Łukasz Mojsak  DOI Abstract PDF  
12 Little Material, Lot of Thought
Margit Szilvitzky’s Early Works in the Context of the Hungarian ‘New Textile’ Movement
Kata Balázs  DOI Abstract PDF  
13 Unravelling the Fibre Art of Geta Brătescu Stefanie Proksch-Weilguni  DOI Abstract PDF  
14 Picturing the Female Gaze
Photography as a Form of Cultural Resistance during Romania’s Communist Era
Uschi Klein  DOI Abstract PDF  
15 The Athens Charter”
A review of the issues and the question of the contribution of Polish architects
Cezary Wąs  DOI Abstract  
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